Författare: Ann

Publicerat

10 juni – Klang Festival 2026 – Walking in the Now

Ann Rosén: Walking in the Now

Using graphite and paper connected to electronic systems, Ann Rosén generates, shapes, and processes sound in real time. Graphite’s inherent resistance, affected by humidity and temperature, directly influences the sound, and makes each performance unique to the space. What happens in the room shapes not only the listening experience, but the material itself. With Walking in the Now, Ann Rosén invites the audience into a shared listening experience rooted in the present moment.

 

Publicerat

Friday 20/2 2026, Vinterjazz, KoncertKirken , Conductive to the power of two

 “Conductive to the power of two”

HYPNO QLUB III: Ann Rosén + Sten-Olof Hellström + Herman Müntzing & Qarin Wikström (SE)

KoncertKirken , København N

Ann Rosén uses conductive material to create music. During the last decade her concept Drawing Session has been her main tool for creation music. By drawing, utilising the conductive properties of graphite through electronic circuits. The pen, paper, and electronics are combined into an experimental instrument that sonifies mark-making, as she simultaneously scribes and performs graphic scores in real-time.

Read more

Publicerat

28/6 2025 – Rethinking & Warped @ Fylkingen Satellit Vardagsrummet – Picknick festival

 

I Rethinking tolkar Ann Rosén och Jesper Nielsen Anns partitur Recycling the Work Process ifrån boken med samma namn (2023). I tolkningen samspelar Jesper Nielsens gitarr med Ann Roséns grafitpennor som är kopplade till live-elektronik som vrider och vänder på gitarrsoundet, ibland till oigenkännlighet, med utgångspunkt i olika riktlinjer som resonans, noise och motstånd.

Schhh duo framför Warped liveelektronik konsert som fyller rummets alla vinkar och vrår.

 

Publicerat

20/5 2025 ”Between Us” med ENSEMBLE GETÖGON på Rönnels Antikvariat

 

Between Us

The music is created by GETÖGON as the graphic score unfolds on the video alongside the electronic part.

Frieda Mossop – violin, Chris Moriarty – clarinets, Irina Serotyuk – accordion, Anton Svanberg – tuba, Anton Alfvén – voice, percussion, various

More information about the concert can be found here.

“Between Us” (2024), for optional instruments, electronics, and video, was composed during a residency in Poland in collaboration with Ensemble Kwartludium, with support from the Swedish Arts Grants Committee.

——

Musiken skapas av GETÖGON när det grafiska partituret växer fram på på videon tillsammans med den elektroniska stämman.

Frieda Mossop – violin, Chris Moriarty – klarinetter, Irina Serotyuk – ackordeon, Anton Svanberg – tuba, Anton Alfvén – röst, slagverk, diverse

Mer information om konserten finner du här

“Between Us” (2024), för valfria instrument, elektronik och video, komponerade jag vid ett residens i Polen i samarbete med Ensemble Kwartludium med stöd av Konstnärsnämnden.

Publicerat

1/3 2025 Opening ”Recycling the Work Process” Ystads Konstmuseum

The Score

¨Recycling the Work Process –  the  21 original drawings  has been purchased by Ystads Konstmuseum to the collection and are exhibited  the whole year 2025.

The Book
”Recycling the Work Process” contains a graphic score, texts and Rosén’s own pictures that help the reader to understand and interpret the graphic score. The score is a description — a way of conveying a feeling and an experience — of Ann’s forty-two-year artistic process. Based on works, projects and time periods, Ann Rosén has created symbols that she uses in the composition to indicate different types of playing styles, free to interpret: Resonance, Accelerando full stop, Back and forth, Change direction, Noise, Mute and Resistance. Essays by Bennett Hogg composer (UK), Gunnel Pettersson artist (SE) and Julian Cowley music journalist (UK).

Drivs med WordPress