21 December 2022 Interwoven Sounds Spaces – Tension by Ann Rosén
WEDNESDAY, DECEMBER 21, 2022, 8 P.M.: WORKSHOP CONCERT “INTERWOVEN SOUND SPACES” IN THE CONCERT HALL OF THE UDK BERLIN
New works by: Ana Maria Rodriguez, Ann Rosén, Cat Hope, Malte Giesen.
The workshop concert explores the possibilities of telematic music performances in new music. Ensembles in Berlin and Piteå present performing and interacting together at a distance and explore new musical ensemble practices through textile and network technologies.
Can two ensembles performing hundreds of kilometers apart in Berlin and Piteå, Sweden, tangibly make music and interact with each other and in this way create a completely new musical experience for the audience and the ensemble playing of the musicians in both places? This is exactly what the project “Interwoven Sound Spaces” explores, the possibilities of telematic music performances in new music. New textile and network technologies enable a tangible interaction between musicians* who are spatially in different places. The results of this research will be presented by “Interwoven Sound Spaces” in a joint interactive workshop concert with Ensemble KNM in Berlin and Ensemble Norrbotten NEO in Piteå, Sweden.
More information at: https://www.interwovensoundspaces.com/
23/11 2022 BEEF -Bristol UK

BEEF Presents : DRAWN SOUND at STRANGE BREW
7:30pm to 11pm on Weds 23rd November 2022 – TICKETS on HEADFIRST
Interactive workshop, Performances and Films
Featuring Ann Rosen (SE), Guest, Matt Davies, Kathy Hinde and Black Midi 2
21/11 2022 hcmf//
Performing Liquied Air @ Huddersfield Contemporary Festival
https://hcmf.co.uk/the-sound-of-swedish-new-music-at-hcmf-2022/
12/11 2022 MINU Festival
Lecture performance @ MINU Festival in Copenhagen
5/11 2022 Glowing Electronics festival @ Folkhemmet Östra Hoby
Candela @ Glowing Electronics Festival
Ann Rosén performs Candela by manipulating candles that control a synthesizer, she creates a unique electronic music where even shadows created by the audience become part of the piece’s score.

