I Rethinking tolkar Ann Rosén och Jesper Nielsen Anns partitur Recycling the Work Process ifrån boken med samma namn (2023). I tolkningen samspelar Jesper Nielsens gitarr med Ann Roséns grafitpennor som är kopplade till live-elektronik som vrider och vänder på gitarrsoundet, ibland till oigenkännlighet, med utgångspunkt i olika riktlinjer som resonans, noise och motstånd.
Schhh duo framför Warped liveelektronik konsert som fyller rummets alla vinkar och vrår.
¨Recycling the Work Process – the 21 original drawings has been purchased by Ystads Konstmuseum to the collection and are exhibited the whole year 2025.
The Book
”Recycling the Work Process” contains a graphic score, texts and Rosén’s own pictures that help the reader to understand and interpret the graphic score. The score is a description — a way of conveying a feeling and an experience — of Ann’s forty-two-year artistic process. Based on works, projects and time periods, Ann Rosén has created symbols that she uses in the composition to indicate different types of playing styles, free to interpret: Resonance, Accelerando full stop, Back and forth, Change direction, Noise, Mute and Resistance. Essays by Bennett Hogg composer (UK), Gunnel Pettersson artist (SE) and Julian Cowley music journalist (UK).
Digital and analogue feedback networks. Sound and image in multiple dimensions. Malte Dahlberg, Sten-Olof Hellström, Liselotte Norelius and Ann Rosén offer an evening of electroacoustic magic and live electronic wizardry. Electric drawings, graphite, rubber, semiconductors and scattering junctions are some of the tools that form the basis for the evening’s music.
Between Us
Ann Rosén 2024
Composed for the Kwartludium ensemble.
Violin, clarinet, piano, percussion, fixed media and video score
First performance 5/12 2024 Nadbałtyckie Centrum Kultury, Ratusz Staromiejski, Gdańsk Polen
With support from the Swedish Arts Grants Committee
Hypnos Theater
29 november 2024
19.00
Locus brings together composer-performers Ann Rosén objects/electronics, Cat Hope (bass flute), Louise Devenish (vibraphone, percussion), Robert Ek (clarinet) and Sten-Olof Hellström (electronics) in a program of improvised and graphically notated music exploring drawing, lines, frictions and points of connection through sound. Accompanying the live music performance at Hypnos Theatre, Malmö, the cinema will screen a series of animated notation scores, short films, and live streamed sonic actions created for each work, offering audiences additional insight into the practices and processes behind the music.
https://www.louisedevenish.com.au
Schhh… in collaboration with Hypnos Theater and Musik i Syd
Opening August 17
Performance August 24 ” Dilate 3.0″
